In 2004, Dido performed with other British and Irish artists in the Band Aid 20 version of the charity single " Do They Know It's Christmas?".ĭido's first two albums are among the best-selling albums in UK chart history, and both are in the top 10 best-selling albums of the 2000s in the UK. ![]() Her next album, Life for Rent (2003), continued her success with the hit singles " White Flag" and " Life for Rent". The first verse of "Thank You" is sampled in " Stan", a collaboration with American rapper Eminem. ![]() It sold over 21 million copies worldwide, and won her several awards, including two Brit Awards: Best British Female and Best British Album, and the MTV Europe Music Award for Best New Act. Hit singles from the album include " Here with Me" and " Thank You". She attained international success with her debut album No Angel (1999). Rewatching them, Ross feels like a man of a certain age grappling with how his perceived masculinity intersects with beautification.Florian Cloud de Bounevialle O'Malley Armstrong (born 25 December 1971), known professionally as Dido ( / ˈ d aɪ d oʊ/ DY-doh), is an English singer and songwriter. At the time of airing, the seed of the joke was that Ross was getting into traditionally feminised situations that went horribly wrong. Other moments, such as his ill-fated experiments with bronzer and teeth whitening, predicted a rise in male grooming and self-care. In season 10, he accidentally wore a woman’s top on a date (obviously, it ended up being the same top as his date), which predated unisex, gender-fluid dressing (and, more specifically, shopping in the women’s department long before Young Thug became an advocate for that). In season three, he tried on Rachel’s Frankie Say Relax T-shirt (pre-dating that high street perennial, the muscle T). And, as the seasons went on, Ross, too, got liminal with fashion. Bowie wore single statement earrings at the height of his Ziggy Stardust, Aladdin Sane and Diamond Dog eras, when he played with gender as well as personas. The line was played for laughs (he even did it in a Dick Van Dyke-type Cockney voice), but it was an interesting evocation. He said he was a whole “other guy” when they were together he even got his ear pierced spontaneously. In season four, he found another Ross through his relationship with Emily. As Ross’s life collapsed in on itself, juggling the disappointments of his marriages ending and the pressures of co-parenting, he began experimenting with the boundaries of the persona that everyone knew. But then the writers and costume designers did something very interesting. Still, the first few seasons of Friends did not give much indication that Ross would be the male lead to push the boat out with fashion. David Schwimmer as Ross Geller – before his fashion awakening. ![]() Won’t you dance around with me.”) There was also Ross giving it his best Lionel Richie, with a perm and a caterpillar moustache, playing his sad keyboard as Rachel went off to prom with Chip, and Miami Vice Ross, with the electric-blue suit and yolk-coloured T-shirt. There was Bea: the Grey Gardens-ish older female persona, which saw the young Ross dress up in a pirate-fedora hat and a woman’s patchwork blazer. The flashbacks in Friends were an early indication that Ross was into role-playing this way. This seems to perfectly mirror the slightly manic view that men took concerning their wardrobe during lockdown. For Ross, fashion wasn’t just functional: it was experimental, allowing him to try on different personas for size. Later on, some of his most outrageously comic moments would centre on his fashion mishaps.īut, rewatching the show years later and thinking about the character and his interplay with his clothes, something became clear to me. Around season eight, he became the male Phoebe, a comedic foil for the other characters: the sad clown, the Eeyore figure. Photograph: NBC/Gettyīut Ross … oh, poor Ross! Wasn’t he always boringly attired, with his egghead haircut and his caramel-coloured suits and stripy shirts? For the arc of Friends’ 10 seasons, Ross had some deep personal lows (including, in retrospect, a spot of serious depression). Courteney Cox as Monica and Elliott Gould as her father, Jack.
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